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Singers: How should we practice?

In other words: practice certainly, but focus. So, just how should you practice singing?

Let me first tell you about this. It's worth thinking about, especially when it comes to muscle memory. Some years ago, I came across an excellent post in a roundabout way as you do,  pulled in by its title:

You can see why can’t you? Learning rewires our brains. I was thinking of singing/performance. So I clicked the link to have a good read. (Tip - It's still a good read, even now.)

Funny how these things can pull together fragments of your life, personal and professional. I started thinking about my little daughter, Alice and the problems she had had with Leukodystrophy. But that's another story. 

Soon I was deeply engrossed in fully understanding the important role myelination plays in our gradual acquisition of skills, thanks to Jason Shen’s clear explanations and diagrams.

But then, another pathway of understanding opened.

As a vocal...

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Breathing for singers: the ins and outs of it.

One of my teachers, Ilse Wolf, would always talk about ‘singing on the breath’. 

Back then, I really didn’t have a clue what she actually meant. I would quietly listen while she explained, while she showed me diagrams in books that had pretty much been worn out by her fingertips over the years, as she pointed out the movement of AIRFLOW in the body as we breathe in and sing OUT.

But that was more than 30 years ago - and now I so GET everything she was sharing with me.

She meant: focus on the out-breath.

I didn’t understand then, but I’ve pursued my learning journey to the point where I now teach the same principles, just as she did then, to all my own singing students.

This infographic is a favourite of mine because it provokes thought. It also gives a hint of what is truly involved in the rather paradoxical ‘breathing mindset’.

But, in truth? It’s the tip of the iceberg.

There’s the fear that since breath is always...

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The Serendipity Project for Singers

Serendipity sounds beautiful …

For singers, the meaning can be beautiful, too.

The Merriam-Webster Dictionary website defines “serendipity” as “luck that takes the form of finding valuable or pleasant things that are not looked for.” So serendipity is a happy accident. It comes from being in the right place at the right time.

I’m launching The Serendipity Project as a new idea/area of study for the 2022-23 academic year and on 7th - 10th October we're kicking things off with an inaugural residential weekend workshop for singers at Church Farmhouse, Winsham, in Somerset, UK. This is a well-beloved venue, where many such workshop weekends have been held.

Thank you so much for an excellent weekend in such a perfect setting.  My love of singing has been an important part of my life for 50 years or so, interfered often by work! I found your encouragement, advice and praise very stimulating and has given me more confidence in solo work and...

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4 TOP in-rehearsal vocal care tips for singers

 

Back to rehearsals soon? Voice feeling a bit rusty?

Here's a little extra guidance beyond the tips I shared in the video above:

Tip #5: Your vocal folds (or cords) are the only pair you'll ever have. You can't go and choose new ones when the old ones start to wear out.

Imagine those little vocal folds, pristine and perfect at birth. Functioning with ease and as usual in babies and young children, with the best and most perfect vocal connection, there can be. What causes things to go wrong when all was perfect at the onset?

True vocal folds are no bigger than your little fingernail. They deserve careful use if they are to serve us well all our lives. Sometimes things go wrong, usually as a result of a poorly mixed cocktail of factors.

For example, if we think of gaining greater volume when we sing, there’s a psychological trigger that suggests to us that we must push more air to make it happen. But a greater volume...

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Virtual Workshop Weekend for singers: Sing Joyfully 2020

This year, in the wake of COVID-19 and the uncertainty that it has created for singers getting together, I decided to make 2020 my year of delivering my regular workshop courses online. 

Residential weekends at Dartington Hall, form part of my teaching year structure. Situated near Totnes in South Devon, the Dartington Hall ethos provides the perfect vibe for such valuable learning exchanges to happen. The workshop weekends run in March (Love Your Voice) for solo singers, and October (Sing Joyfully) for ensemble singers.

Thanks to the pandemic, I’ve been on a learning curve of my own since March, reconfiguring my music studio, learning more about the tech requirements for teaching, and leading online. Little did I know how eerily on-point my post of January this year, where I welcomed applications for my ‘Love Your Voice’ course at Dartington Hall. This is how I opened the post:

“Teaching is more than imparting knowledge, it is inspiring change....

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Technique Tuesday: Alexander Technique Directions

Technique Tuesday: ‘F’acts

In 2018, I led singers who belong to Virtually Vocalise on a light-hearted journey through the alphabet, relating each letter to an aspect of vocal technique. When I originally put the A-Z together in 2013 it was more of a personal teaching challenge, a bit of a brain-teaser, a test of my knowledge and wit. Here, I talked about letter ‘F’....

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This new infographic shares a beautiful synergy with last week’s blog post, ‘E’xpiration and before that ‘D’iaphragm - and I can divulge that its accompanying teaching video (for VV members) will provide a harmonious segue into what’s coming NEXT week as we consider letter ‘G’. Hold that thought.

Right now, for letter ‘F’ we, as singers, are thinking about freeing the neck. And by releasing the jaw, lengthening the spine etc., we are also considering some of the principles...

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